This study examines the artistic development of Wang Yancheng, a prominent contemporary Franco-Chinese artist. He was born and trained in realist art in China before embracing abstract art after his immigration to France in 1989. His dual cultural immersion provides a unique perspective in reconciling the competing yet complementary aesthetics and philosophies of both China and France. Early in his career, Wang embraced the Zen notion that "the obstacle is the path", and developed a style of lyrical abstraction that fused Chinese poetic traditions with French expressive abstraction. In the new phase of what he calls the "post-liberal era", Wang sought to eliminate elements he viewed as obstacles to the clear transmission of ideas, leading to a transformation in his abstraction. This study traces his transition from harmonious compositions to works that explore themes of isolation and alienation. I argue that this shift reflects Wang’s response to global crises, including the pandemic, ongoing conflicts, and rising political tensions, while his exploration of quantum energy theory and multi-dimensional spatial relations suggests a continuing hope for renewal and reconnection amid adversity. A key theme in his recent works, captured in the phrase "Live in the face of death", expresses Wang’s belief that only by confronting death can we fully appreciate life’s potential for rebirth.

Authors:
Shanshan Chen, Shandong University of Arts, China

About the Presenter(s)
Dr. Shanshan Chen, Assistant Professor of Art History at Shandong University of Arts in China, artistic interactions between China and the West

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